Video Archive | Weak form (4)

Andrew Zago Making And Meaning
Zago describes his current architectural interests to an audience of Making + Meaning participants. He talks about volumes,...
Andrew Zago Making And Meaning-clip_4821
Alexis Rochas introduces Andrew Zago. Zago describes his current architectural interests. He talks about volumes, sectional...
Andrew Zago Making And Meaning-clip_4932
Andrew Zago concludes by answering several questions about the work he showed and his architectural intentions. He feels SCI-Arc...
Barbara Bestor Silent Disco
Hernan Diaz Alonso talks with Barbara Bestor about her "Silent Disco" installation at the SCI-Arc gallery. He begins by asking...

Andrew Zago Making And Meaning

July 28, 2011 |
Introduction by:

Zago describes his current architectural interests to an audience of Making + Meaning participants. He talks about volumes, sectional objects, weak form and creating a sense of volume through relaxing symmetry. Zago discusses negative space especially and when it is achieved through incision and pressure. He shows his entry in the competition for the National Museum of Korean Contemporary History in Seoul, and other projects. Zago concludes by answering several questions about the work he showed and his architectural intentions. He feels SCI-Arc is not a mere willfulness, but rather a significant exploration into architectural limits.

Clips

Andrew Zago Making And Meaning-clip_4821
Andrew Zago Making And Meaning-clip_4821
Alexis Rochas introduces Andrew Zago. Zago describes his current architectural interests. He talks about volumes, sectional...
Andrew Zago Making And Meaning-clip_4822
Andrew Zago Making And Meaning-clip_4822
Andrew Zago Making And Meaning-clip_4932
Andrew Zago Making And Meaning-clip_4932

Barbara Bestor Silent Disco

April 8, 2011 | Video Lecturer:

Hernan Diaz Alonso talks with Barbara Bestor about her “Silent Disco” installation at the SCI-Arc gallery. He begins by asking Bestor about the installation’s relationship to the work that produced by her office. Diaz Alonso asks about the relationship of “weak form,” to the installation, leading to a general discussion her interest in both style and academics. Bestor and Diaz Alonso discuss the fabrication process, and the signficance of the materials. Bestor fields questions from the audience. Asked about the graphic agenda of the installation, Bestor cites Bridget Riley. Finally, she addresses in more detail her interest in plywood and plexiglass.

Clips

Barbara Bestor Silent Disco-clip_3740
Barbara Bestor Silent Disco-clip_3740
Barbara Bestor Silent Disco-clip_3741
Barbara Bestor Silent Disco-clip_3741